In 2012 we painted our first large format mural in Cartagena. There were more than ten stories and six hundred squared meters intervened. Since then we have had the opportunity to create murals of this type in 10 countries around the world including Spain, Jordan, Turkey, Canada, United States, Brazil, El Salvador, Belgium and Korea. From these experiences we have learned how essential it is to create stories and observe contexts that allow the birth of the image so that the mural is integrated into the space and ends up remaining in time.

The wall is a space for social, artistic and community dialogue. Since 2013 we have created touristic districts in Cartagena (Ciudad Mural, Getsemaní) and Bogotá (Graffiti District, Puente Aranda) based on the intervention of public space with artistic murals that have been agreed with the communities, partners and artists. To date we have designed and executed projects that today have more than 150 murals permanently and free of charge for passers-by and spectators.

In 2014 we were invited to participate in a social process to reduce homicidal violence among young people in the district of Aguablanca in Cali led by the Ministry of Health. We proposed the artistic intervention with photographs in the public space with portraits of the grandmothers of the sector, who would be in charge of monitoring and caring from the affection spaces where crimes involving children and adolescents occurred.  In 2022, this project, authored by Vertigo Graffiti, was replicated in the municipality of San Juan Talpa in El Salvador under the premise of integrating the experiences of the town's elderly women with the attitudes and decisions of the new generations. 

Art is an opportunity to see and reflect with different points of view. Perhaps the most important input of many participatory projects that we have been carrying out for the last fifteen years has to do with involving people from different communities, without experience in this field, in the creative processes. This involvement can range from listening to their opinions and perspectives to the creation of artistic works and events with the support and coordination of professional artists. A collective work is an unbeatable moment of encounter and a lasting reminder of the importance of teamwork.

We have always considered ourselves good storytellers. However, with the premiere in 2021 of five of our short documentaries at the Cartagena Film Festival, we have finally proven the importance of continuing to capture stories and testimonies in audiovisual formats with the potential and sensitivity to reach mass audiences through film and television screens. For us, these narrative exercises start from an immovable premise: respect for the dignity of the protagonist, his life story, his purposes and tasks. When stories are told with care and humanity, they help to forge the individual and collective memory of communities that can find, in this way, a way to guide their future.

Perhaps one of the most famous murals we have created is El Beso de los Invisibles, located since 2013 in downtown Bogota. For this reason, we teamed up with a creative lab in 2021 to create our first collection of unique digital assets (NFT) to be part of the specialized markets where this type of goods are traded. For months we learned the main particularities and management strategies of these digital works and their potential to promote artistic and cultural projects.