After 15 years of experience, we have developed our own mechanics for painting murals that includes three specific elements: the context, the story and the image.

In this way, before starting to design, we immerse ourselves in the space that will be intervened: we read for a while about the context, we listen to their stories and we listen to the testimonials that come our way. We are very careful to unravel the stories that surround the wall and that define it. 

Then we embark on the journey of creating a story that lasts and moves. A story that allows the mural to survive time and be sown in the eyes of passers-by. Words not only precedes the form, it also gives it life in the imagination.

Finally, we let the alternatives of possible images emerge and compete with each other. Each option has merits and challenges, and it is in that final struggle that we decide what to paint. If we do not reach a satisfactory result (sometimes this is the case) we start over.

After all, that's what mechanics are for.