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13 stars

new pez artwork

 

LAUNCHING 31-05-21

13:00 Bogotá // 14:00 Miami // 20:00 Barcelona

 

10 inks, 50 cm x 70 cm.

Super Eggshell Paper 270 gr

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la nueva ola

(the new wave)

pez' exhibtion

The renowned Catalan urban artist Pez presents to the public a collection of works in his exhibition La Nueva Ola.

 

The show includes paintings, sculptures, augmented reality, silkscreen printing and sketches.

 

The exhibition will be held from June 4 through June 18 at CASATINTA. (Tv. 17 #45D-61, Bogota).

 

You can register in the tab below to organize your visit.

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SHARED GLANCE

A work inspired by our 2018 mural in Antwerp, Belgium, which told the story of a generational encounter with a common and shared horizon.

 

13 inks, 44 cm x 66 cm.

Artists: Word & Yurika

Framing Optional.

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¿WHAT'S vertigo?

Vertigo Graffiti is a model of strategic management of public space, which since 2009, has been designing, creating and executing urban development projects, large format murals and consultancies related to the analysis, understanding and use of public art and graffiti. 

 

In 2016, Vertigo Graffiti inaugurated its urban art gallery with periodic exhibitions in which artistic objects such as canvases, silkscreen prints, sculptures, photographs, drawings and prints are exhibited and commercialized.

To learn about our day to day, we invite you to follow us on our social networks.  

  • Instagram
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  • Facebook
  • Twitter
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CREATING CITIES

We conceive public space as an ideal environment for the construction of a market of benefits (tangible and intangible) between the public sector, the private sector, the community sector and the artistic sector. 

 

Since 2013, when we carried out our first artistic intervention project in Getsemaní, Cartagena, we verified the relevance of urban art as the spokesperson and mediation of the public debates of the communities. 

 

In 2016, we had the opportunity to transform an entire sector of the city of Bogotá, with the creation, design and direction of Distrito Graffiti Bogotá, a specialized graffiti and urban art scene that currently has more than 110 works and more than 7,000 meters intervened. 

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Large Format

MURALS

The renowned Catalan urban artist Pez presents to the public a collection of works in his exhibition La Nueva Ola.

 

The show includes paintings, sculptures, augmented reality, silkscreen printing and sketches.

 

The exhibition will be held from June 4 through June 18 at CASATINTA. (Tv. 17 #45D-61, Bogota).

 

You can register in the tab below to organize your visit.

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consultancies

Painting is the last step to follow in public space intervention projects. In this sense, it is essential to have a previous and methodical analysis that determines the feasibility of the projects in terms of budget, visibility and artistic deployment. 

 

Vertigo Graffiti offers observation, analysis and decision tools for intervention projects in public and private spaces derived from its experience with clients from different sectors since 2010. 

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Gallery

In 2016, with the exhibition Los Emergentes, Vertigo Graffiti inaugurated its gallery of specialized in urban art and graffiti, which to date has promoted the work and careers of graffiti artists with periodic events of exhibition and commercialization of artistic objects that include canvases, metals, silkscreen prints, photographs and prints among others.  

 

With the arrival of the 2020 pandemic, and in search of alternatives to stay afloat in the face of the different confinements we inaugurated our virtual gallery based on our social networks. With more than 150 pieces and art objects sold in recent months we have configured our social media (networks to serve as channels for the promotion and exhibition of the works. 

 

Since the consolidation of its virtual strategy, Vertigo Graffiti has launched two screen-printed works derived from its murals in Bogota (Besos Invisibles) and Belgium (Mirada Compartida) which have been sold in Colombia, Central America, the United States and Europe. 

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GRAFFITI BLOG

Beyond the repeated debate about the legality or illegality of graffiti. Or the endless (and byzantine) difference between vandalism and art, we have considered it necessary to join more recent and unprecedented debates in a space of our own expression. 

 

With periodic publications we will try to propose themes and nuances of the practice that include the concept of graffiti artists as invisible masters, the construction of citizen agreements based on public art and the challenges presented by digital experiences for graffiti.